"A twisted lump of molten plastic
was what became of my first camera when at the age of seven I carelessly left it in the back
of the family car in the heat of summer. Even less gracious was the demise of my Olympus
Trip 35 camera five years later as it
was thrown to my bedroom floor in a fit of temper.
The latter illustrates how I was becoming more frustrated with my camera's limitations than excited
by its capabilities; a condition which, to some extent, still exists today. My cameras are still confounded
pieces of metal and glass, but I have learned
not only to respect their limitations
but to exploit their capabilities."
I A N L A W R E N C e
PUBLISHED WORK
Fuji PROfiles Australia
Black+White Australia
Cinescan
ZOOM New York
Cinescan
Cups New York
Java Journal New York
Cinescans
Photo District News USA
Profile
Communication Arts USA Cinescan
Pentax Family Japan
Cinescans, In Focus - Out of Focus
Popular Photography USA
Discovery Feature: Cinescans
Photo Design Magazine
New York Cinescan
Pentax Life USA
Pentax People: Ian Lawrence: Stretching His Vision With Cinescans
Darkroom & Creative Camera Techniques
USA Professional Portfolio: Rushing Into The Night
Australian Camera Craft Australia
Right on Track
Best of Photography Annual 1990
USA
Creative Review United Kingdom
Australian Photography Australia
Master of Distortion, Electric Nights
Australian Conservation Foundation Diary
Australia
Australian Weather Calendar
Australia (Bureau of Meteorology)
AdArt Australia
Nightmoves, Lightning and Light